Duck Season
What the AFLAC duck can teach you about getting your message into the minds of prospects
URL:
http://www.entrepreneur.com/magazine/entrepreneur/2005/january/74980.html
What's the magic formula for turning a relatively unknown
company into a household name practically overnight? Here's how
a couple of brazen advertising agency Houdinis pulled it off-and
why the kooky result might make one of advertising's legends
turn over in his grave.
Linda Kaplan Thaler, CEO/chief creative officer, and Robin
Koval, chief marketing officer/general manager, of The Kaplan
Thaler Group (KTG) Ltd. in New York City are two of the brains
behind the AFLAC duck campaign. They chronicled the making of the
campaign-and their theories on advertising in general—in
BANG! Getting Your Message Heard in a Noisy
World.
When AFLAC, a leading provider of voluntary insurance coverage
marketed at the work site, came to them, it was a company
little-known to the general public. The firm's chair and CEO
told Thaler, "I don't care what you do, as long as you get
people to know the name of this company."
That's all the women needed to hear. Their battle cry to
their troops: Let's make a "big bang." Outside of
astrophysics, that means a big explosion in the marketplace, the
two write. It means being too disruptive to be ignored. They also
assert that a big bang is illogical: "If we allow a little
illogic into our thoughts . . . we can break through the prison of
current convention."
So what did this mind-set spawn at KTG? That "AFLAC"
sounds like "quack," and thus the only possible
spokescreature for this staid, conservative insurance company was a
duck. Today, the once-obscure company is a household name, and
business is booming.
But would the AFLAC duck have passed muster with the late
advertising icon David Ogilvy, co-founder of the world-famous ad
agency Ogilvy & Mather?
Chances are, he would cringe—or at least be conflicted.
This is the man who put Hathaway Shirts and Schweppes on the map
with sophisticated flair, and made household names of Dove soap and
Pepperidge Farm. It's hard to imagine him turning over the
image-making of an insurance company to a slightly annoying
waterfowl. In his seminal 1983 book, Ogilvy on Advertising, he asserted that
characters can sell, "provided they are relevant to your
product."
On the other hand, he also wrote: "If you want the viewer
to pay attention to your commercial, show her something she has
never seen before . . . Most commercials slide off the memory like
water off a duck's back."
Aha! Even Ogilvy would probably agree there's one duck on TV
(besides Donald) that's been hard to forget.
Jerry
Fisher is a freelance advertising copywriter and author of
Creating Successful Small Business Advertising.
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