Media received.

American Surfaces, by Stephen Shore. Phaidon/232 pp./$55.00 (hb).

Back Story 4: Interviews with Screenwriters of the 1970s and 1980s, edited by Patrick McGilligan. University of California Press/434 pp./$60.00 (sb).

Boulevard, by Adam Bartos. Steidl/120 pp./$65.00 (hb).

Cinematic Prophylaxis: Globalization and Contagion in the Discourse of World Health, by Kirsten Ostherr. Duke University Press/288 pp./$22.95 (sb).

Coal Hollow: Photographs and Oral Histories, by Ken and Melanie Light. University of California Press/152 pp./$34.95 (hb).

Contemporary Asian Cinema, edited by Anne Tereska Ciecko. Berg/256 pp./$29.95 (sb).

A Critical Cinema 5: Interviews with Independent Filmmakers, by Scott MacDonald. University of California Press/461 pp./$29.95 (sb).

Cultural Agency in the Americas, edited by Doris Sommer. Duke University Press/385 pp./$24.95 (sb).

David Seymour (Chim), by Tom Beck. Phaidon/128 pp./$24.95 (hb).

Death 24x a Second: Stillness and the Moving Image, by Laura Mulvey, Reaktion Books/216 pp./$24.95 (sb).

Dying for a Laugh: Disaster Movies and the Camp Imagination, by Ken Feil. Wesleyan University Press/272 pp./$24.95 (sb).

Edward Weston: The Form of the Nude, by Amy Conger. Phaidon/137 pp./$49.95 (hb).

Electronic Monuments, by Gregory L. Ulmer. University of Minnesota Press/344 pp./$24.95 (sb).

Eye Contact: Photographing Indigenous Australians, by Jane Lydon. Duke University Press/336 pp./$23.95 (sb).

Far from Zion: Jews, Diaspora, Memory, by Jason Fransco. Stanford General Books/115 pp./$49.50 (hb).

Film Fables, by Jacques Ranciere. Berg/196 pp./$29.95 (sb).

Fire Alarm: Reading Walter Benjamin's 'On the Concept of History', by Michael Lowy. Verso/150 pp./$27.00 (hb).

Framed: Women in Law and Film, by Orit Kamir. Duke University Press/352 pp./$23.95 (sb).

George and Martha, by Karen Finley. Verso/108 pp./$15.00 (sb).

Golden Gate, by Richard Misrach. Aperture/164 pp./$50.00 (hb).

Gordon Matta-Clark, edited by Corinne Diserens. Phaidon/240 pp./$60.00 (sb).

A Handful of Dust, by David Plowden. W.W. Norton & Company/80 pp./$49.95 (hb).

Hitchcock's Motifs, by Michael Walker. University of Chicago Press/224 pp./$37.50 (sb).

The Homoerotic Photography of Carl Van Vechten, by James Smalls, Temple University Press/240 pp./$35.00 (sb).

Hong Kong: Front Door/Back Door, photographs by Michael Wolf, texts by Kenneth Baker and Douglas Young. Thames & Hudson/119 pp./$75.00 (hb).

Hong Kong Connections: Transnational Imagination in Action Cinema, edited by Meaghan Morris, Siu Leung Li, and Stephen Chan Chingkiu. Duke University Press/343 pp./$23.95 (sb).

The Intelligence of Evil or the Lucidity Pact, by Jean Baudrillard. Berg/208 pp./[pounds sterling]9.99 (sb).

Intermedia: Enacting the Liminal, edited by Hans Breder and Klaus-Peter Busse. Dortmunder Schriften zur Kunst/288 pp./price unavailable (sb).

Intersection, by Slawomir Zulawinski. Prestel/96 pp./$49.95 (hb).

Looking at the Other, by Julika Rudelius. Valiz/104 pp./[euro]27.00 (sb).

Making Real Life Videos: Great Projects for the Classroom and Home, by Matthew Williams. Allworth Press/256 pp./$19.95 (sb).

Mario Giacomelli, by Alistair Crawford. Phaidon/428 pp./$49.95 (sb).

Media and Cultural Theory, edited by James Curran and David Morley. Routledge/310 pp./[pounds sterling]18.99 (sb).

Messages: Free Expression, Media and the West from Gutenberg to Google, by Brian Winston. Routledge/430 pp./$26.95 (sb).

Mexican Modernity: The Avant-Garde and the Technological Revolution, by Ruben Gallo. MIT Press/268 pp./$29.95 (hb).

The New Life, by Lise Sarfati. Twin Palms Publishers/70 pp./$75.00 (hb).

Omnia, by Balthasar Burkhard. Scalo/264 pp./$58.00 (hb).

Pedogogies of Crossing: Meditations on Feminism, Sexual Politics, Memory and the Sacred, by M. Jacqui Alexander. Duke University Press/424 pp./$23.95 (sb).

Performance in America: Contemporary U.S. Culture and the Performing Arts, by David Roman. Duke University Press/376 pp./$23.95 (sb).

Photography Books Index III: A Subject Guide to Photo Anthologies, by Martha Kreisel. Scarecrow Press/455 pp./$60.00 (sb).

Portraits from a 50's Archive. Belfast Exposed Photography/87 pp./price unavailable (sb) [exhibition catalog].

The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future, edited by Marquard Smith and Joanne Morra. MIT Press/340 pp./$34.95 (hb).

Rebels: Youth and the Cold War Origins of Identity, by Leerom Medovoi. Duke University Press/400 pp./$23.95 (sb).

Reflections, by Norman Foster. Prestel/192 pp./$70.00 (hb).

Scorsese's Men: Melancholia and the Mob, by Mark Nicholls. Indiana University Press/191 pp./$22.95 (sb).

Sexy Book, by Esther Haase. Scalo/144 pp./$45.00 (hb).

Shadow Chamber, by Roger Ballen. Phaidon/128 pp./$59.95 (hb).

Shaping Things, by Bruce Sterling. MIT Press/152 pp./$17.95 (sb).

Silver Cities: Photographing American Urbanization, 1839-1939, by Peter Bacon Hales. University of New Mexico Press/440 pp./$60.00 (hb).

Small Nation, Global Cinema: The New Danish Cinema, by Mette Hjort. University of Minnesota Press/330 pp./$22.95 (sb).

Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s, edited by Christoph Grunenberg and Jonathan Harris. Liverpool University Press and Tate Liverpool/320 pp./$40.00 (sb).

Tina Modotti, by Margaret Hooks. Phaidon/128 pp./$24.95 (hb).

The Vienna Album, by Albert Watson. Shirmer/Mosel/272 pp./$75.00 (hb).