Kumar, S. (2006). Gandhi meets primetime: Globalization and
nationalism in Indian television. Champaign: University of Illinois
Press. 240 pages.
Kumar is not sure how satellite television is changing India but he
is quite sure it is shaking up long-accepted notions of just what India
is. His book argues that the "imagined community" (p. 2) of
India of the 1947 founders of the Republic is being shattered by
satellite TV. In its place has come "the unimaginable communities
of electronic capitalism" (p. 14). Gandhi, the "Father of the
Nation" (p. 150), is used as the revered symbol of what the
political and cultural elites wanted India to become: a political (if
not social and economic) utopia with a united people struggling and
sacrificing for future generations.
This was certainly the "imagined community" of
Doordarshan, the stodgy government television monopoly established in
1959. It was the only television choice for Indians for 3 decades. Then
along came satellite TV or "electronic capitalism." Starting
in 1991 with CNN, satellite television grew phenomenally. Murdoch's
STAR-TV from Hong Kong and India's own Zee-TV brought a
"cultural mishmash" (p. 191) of mostly entertainment programs.
Indian audiences loved them, and in 1992 cable operators were hooking up
nearly 10,000 homes per day. Programs in Hindi, "Hinglish,"
and a multitude of "electronic vernaculars" (p. 12) burst
forth from satellites. One result, the author laments, is that India is
rapidly becoming a nation of consumers and ideals of Indian nationalism
are being submerged as advertisers target cultural, linguistic, and
regional subgroups.
Kumar's first chapter provides background on the early
conflicts over Indian television. Then he picks and chooses his subjects
and incidents to make an interesting if at times hard-to-follow argument
about how television does (or does not) affect the audience. Chapter 2
reviews the cultural implications of advertising for television
sets--ads that sought to persuade Indians to buy television sets by
suggesting that reality and modernity were on your TV screen. Then the
reader is taken on a ride through political and social
theory--Nietzsche, Marx, and Freud make appearances--that is spiced up
with lots of gossip about Indian TV. It can be interesting--even
titillating at times--although Kumar's efforts to make everything
relate to his theorizing are sometimes a strain on the reader. Elaborate
sentences abound. A linguistic device to carry the theorizing along and
relate it to television's effects is his repetition of one
question: "Is there an Indian community of television?" (p.
191). The author provides five versions of this question, changing the
emphasis in each version. Of course, each change of emphasis brings a
different answer, but in the end his answer seems to be "no."
Still, Kumar leaves the decision to the reader as he even cites critics
who say that television should not be used to gauge the "Indian
community."
Kumar uses the image of Gandhi throughout the book. He examines
"the crucial role that television plays in articulating the many
uses and abuses of Mahatma Gandhi's status as the father of the
Nation of postcolonial India" (p. 15). The abuses, of course, come
from those "unimaginable communities of electronic capitalism"
that make up satellite TV. Kumar cites "a transient moment of
unspeakable transgression of Mahatma Gandhi's name" (p. 155)
on a STAR-TV channel in India. In May 1995, a guest on a talk show
hosted by an Indian (well, half-Indian) woman called Gandhi "a
bastard bania" (p. 157), a pejorative term for a miser. There was a
public uproar and politicians called for banning STAR-TV. In the end,
Kumar suggests that only in the moment when the "Father of the
Nation" was publicly insulted did the "imagined
community" of India come together.
James F. Scotton (Ph.D., University of Wisconsin) is an Associate
Professor in the College of Communication at Marquette University. His
research focuses on international communication, especially in Africa
and Asia.
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