Against all odds: left for dead by the pundits, USA
Today celebrates its 25th birthday.
by Rieder, Rem
A number of themes come to mind on the 25th birthday of Al
Neuharth's improbable Technicolor brainchild.
[ILLUSTRATION OMITTED]
One is the power of vision. At a time before "outside the
box" was a cliche, the notion that there was room in the
marketplace for a national newspaper featuring short stories, bright
hues, info boxes, sports and pop culture was as against the grain as it
gets.
But go figure. Twenty-five years later, USA Today has not only
survived but thrived. It is the nation's highest circulation
newspaper and a cash cow for parent Gannett. It's impossible to
imagine the media landscape without it.
Turns out there was a place for a national paper in this transient,
travel-crazed nation of ours, particularly one that attempted to come to
terms with our increasingly visual, TV-driven zeitgeist.
What's more, its influence on the look and feel of USA's
newspapers--not always in a good way--is incalculable.
The second is the importance of perseverance. In addition to being
widely and wildly mocked, USA Today was a big-time money loser for
years. In this instant-gratification world of ours, there's always
immense pressure to pull the plug. But Gannett didn't.
It often takes time for a new product, particularly one so
innovative, to establish itself. So you need patience, not to mention
deep pockets, to allow it to flourish. In this case, the payoff for that
patience has been enormous. Those critics who already have consigned
Conde Nast's expensive new Portfolio magazine (see "A New
Portfolio," April/May) to the dustbin of history might want to keep
that in mind.
But all the time in the world wouldn't have helped if USA
Today hadn't matured and improved. Because the critics were right
about one key thing: While the early USA Today was a bold new venture,
it was also a pretty shallow one. The emphasis was on the packaging, not
the substance. Weather maps and color graphics and folksiness could only
take it so far.
It was in the 1990s, under Publisher Tom Curley and Editor David
Mazzarella, that the paper added the steak to the sizzle. It
significantly upgraded its commitment to hard news, to important
national and international events. It became a serious newspaper. In a
1997 AJR piece titled "USA Today Grows Up," longtime Knight
Ridder Washington correspondent James McCartney concluded the paper was
"persistently improving the quality of its news coverage" and
"striving for depth, for original reporting and for
enterprise." USA Today, he declared, "is coming of age."
In late 1999 and 2000 the paper lured five staffers away from the
Washington Post in eight months--something that would have been
unthinkable years before.
The USA Today odyssey also is a reminder of the dangers of
investing too heavily in the conventional wisdom. When the paper was
launched, hardly anyone gave it a chance to make it. I know I was among
the scoffers. After all, when was the last time someone had successfully
launched a national daily? But make it USA Today did.
Obviously, if you were forced to bet, "against" would
have been the way to go. But maybe it's a good idea for we instant
pundits to be a little more open-minded about the possibility that
something groundbreaking can endure. That's particularly critical
in the current fast-evolving media climate, with its drumbeat of
innovative technological breakthrough.
So USA Today elevated its game, although it's disheartening
how many people who haven't looked at it in years continue to
parrot the outdated putdowns.
But in 2004, the paper confronted a major crisis. Jack Kelley, its
marquee globetrotting reporter, was found to be a fraud, a serial
fabricator and plagiarist (see "Who Knows Jack?" April/May
2004). Coming on the heels of the New York Times' Jayson Blair
debacle, it was a devastating blow both for the newspaper and journalism
itself. The paper was profoundly shaken.
Sadly, such episodes are going to happen. The challenge is how you
respond to them.
USA Today brought in new Editor Ken Paulson, a former Gannett
editor who was running the First Amendment Center in Nashville, to clean
up the mess. By all accounts Paulson has righted the ship, restoring the
newsroom's equilibrium and rebuilding the paper's credibility
(see "USA Tomorrow," August/September 2005), although some in
the newsroom chafe under his strict sourcing guidelines. (Full
disclosure: Paulson is a friend and a fellow music buff.) He has placed
strong emphasis on gracing the front page with exclusive enterprise
stories rather chasing the New York Times and the Washington Post. But
there's little doubt that the paper's overall excellence is
handicapped by its tight A-section newshole.
So happy birthday, USA Today. We'll watch the next 25 with, as
they say, great interest.
Rem Rieder (rrieder@ajr.umd.edu) is AJR's editor and senior
vice president.
COPYRIGHT 2007 University of
Maryland Reproduced with permission of the copyright holder. Further reproduction or distribution is prohibited without permission.
Copyright 2007, Gale Group. All rights
reserved. Gale Group is a Thomson Corporation Company.
NOTE: All illustrations and photos have been removed from this article.