NOTES 1. Anna Munster, Materializing New Media: Embodiment in
Information Aesthetics (Hanover, NH: Dartmouth College Press, 2006),
154. 2. Jonathan Crary, Techniques of the Observer (Cambridge, MA: MIT
Press, 1992); and Suspension of Perception (Cambridge, MA: MIT Press,
2001). 3. John Johnston, "Machinic Vision," Critical Inquiry
26, 1 (Autumn 1999), 27-48. 4. Paul Virilio, War and Cinema (London:
Verso, 1989); and The Vision Machine (Bloomington: Indiana University
Press, 1994). 5. Popper in Joseph Nechvatal, "Origins of
Virtualism: An Interview with Frank Popper," CAA Art Journal
(Spring 2004), 62-77. 6. For more on Ascott's work, see Roy Ascott,
ed., Telematic Embrace: Visionary Theories of Art, Technology and
Consciousness (Berkeley: University of California Press, 2003). 7. The
opportunity, in Rodowick's view, is to "liberate"
ourselves from the notion of the "aesthetic," now in its final
death throes. See David Rodowick, Reading the Figural, Or, Philosophy
After the New Media (Durham/London: Duke University Press, 2001),
139-40.
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