Fall TV market offers biz, show, power and
trends.
At this MIPCOM, celebrity executives are taking the spotlight away
from behind-the-scenes bigwigs. Some of the most internationally famous
TV and film business personalities are making a cameo on the Croissette.
This year's market, which takes place October 8-12--the day after
two-day children's TV market Mipcom Jr. ends--will kick off with a
keynote from Leslie Moonves, president and CEO of CBS Corporation.
Moonves' session will be followed by six additional keynotes from
industry leaders the world over, including Televisa's Emilio
Azcarraga Jean; Zee Network and Essel Group's Subhash Chandra and
NBC's Ben Silverman. But aside from the big names, it's
business as usual on the French Riviera.
This year, MIPCOM will shine a spotlight on India--a test to
evaluate the real potential of this large and populous country. In
addition to Chandra's keynote, "India Day" (the first day
of the market) will examine the growth of the country's film, TV
and animation sectors, and look at areas in need of development. Ronnie
Screwvala, founder and chairman of UTV Group will present a speech
entitled "Indian Media--A Global Destination," which will
explore emerging sectors. The whole day's activities, which are
presented in partnership with the Federation of Indian Chambers of
Commerce and Industry, will close with an Opening Night Party with a
distinctly Indian flavor.
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While there's no doubt that the Internet makes screening film
reels and promos from the comfort of one's own office much easier,
it's the face-to-face time that makes MIPCOM invaluable. "For
us, it's really important to meet with our international channel
affiliates. But I also wouldn't underestimate the value of seeing
what our compatriots are doing," said Michael Katz, vp, Programming
and Production at AETN International, from New York. "It's all
pretty collegial when it comes down to it." From his London office,
Joel Denton, president of Production and Distribution at RHI
Entertainment concurred. "If we're sending material over
electronically, we're sending it to busy people and it's
possible that it can get lost in the shuffle."
London-based RDF Rights CO0 Jane Millichip said, "Deals are
not signed around the markets as much as they once were, but the markets
are part of an ongoing process." This year, RDF Rights is focusing
on its breadth of programming--expanding from the reality and
documentary series for which it's known to kids, drama and
entertainment programming. The company will attend Mipcom Jr. as well to
mark the launch of its kids' division. "Because it's such
an expensive business to be involved in, we staggered the launch, but
now we're ready," she said.
MIPCOM will see the launch of Studio 100 Media--the Munich-based
rights management subsidiary of vertically integrated Benelux media
conglomerate Studio 100--which opened in July 2007. The company will
unveil flagship kids series (and BBC, YTV and Studio 100 co-pro) Big
& Small at MIPCOM (and Mipcom Jr.). According to Patrick Elmendorff,
MIPCOM is the perfect venue to introduce his company for international
distribution, to acquire series for third-party distribution and invest
in co-productions. The company's catalogue runs "from
preschool to preteen," according to Elmendorff.
For Colombia-based telenovelero Caracol, MIPCOM's value is
increased by the tendency of buyers to "drop by" the booth.
According to Angelica Guerra, who will come to MIPCOM with the new title
of international vice president of Caracol Television (taking over from
Camilo Cano), since her company exhibits in a booth rather than a suite
(as at NATPE), "we have a lot of people walk in and start
deals." She added that exhibiting on the floor lends itself to
strolling and observing fellow distributors' activities.
When it comes to what international colleagues will be doing,
AETN's Katz had a few predictions. "We're going to see HD
programming catch on more, as it already has in places like the U.K.,
Japan and other Asian territories. There's also going to be a focus
on short-form programming," both that which complements long-form
programming and stand-alone programs.
RHI's Denton added that his company has been pleased with a
widespread appetite for drama. "There aren't too many
big-scale dramas being produced by companies other than the studios. We
appeal to an appetite for independent releases with our big-event
movies, miniseries and action movies." RHI recently completed a
plethora of action movie sales--50 to Sky in the U.K., 40 to Telemunchen
in Germany, 50 to M6 in France and 25 to Quatro in Spain. "We
expected to see demand from payTV channels, and in the on-demand space,
but our movies are also being programmed for late night on free-TV
channels. A lot of the terrestrial channels are picking up all
rights," Denton said.
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On the Latin side, the telenovela trends are all about formats.
"We will continue to offer our telenovelas for local
production," said Caracol's Guerra. She explained that despite
formats' lower price tags, the trend is not hurting her company
financially because, "We're being able to sell to
countries--like Russia--that we weren't selling to before."
"Trends are very often the hyped-up tip of the iceberg of
business conducted at MIPCOM," said Mathieu Bejot, managing
director of TV France International. "Buyers are simply looking for
good quality content across every single genre. With the dramatic
increase of new delivery platforms, demand for content is high even
though business models may still be unclear," he said.
"One of the biggest problems with MIPCOM is also it's
greatest asset: its sheer scale," said RHI's Denton. "We
get to meet with so many people, but we just don't have time to sit
down with them and screen an entire episode. Every territory in the
world is there and we need to meet with everyone," he said.
TVFI's Bejot provided some advice to Reed MIDEM. "Provide
downloadable lists of participants with email addresses," he said.
"This is the only way to prepare the market and make the most of
limited time."
Caracol's Guerra had no gripes about a recent addition to the
MIPCOM schedule--the preceding Telenovelas Screenings--which takes place
during the weekend before the market. "We are very grateful to Reed
MIDEM, because they have brought us results," she said.
Finally, while business models continue to change, one thing that
always induces executive grumbling is the shortage of accommodations.
With higher prices, and increasing demand for hotel rooms, many
executives are choosing to take apartments. They are less
expensive--though at times less convenient than hotels--and with the
rising euro and falling dollar, there isn't much choice.
COPYRIGHT 2007 TV Trade Media,
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NOTE: All illustrations and photos have been removed from this article.