EXCELLENT
* MAN BOOKER PRIZE, 2007
Making sense of tragedy.
Veronica Hegarty, one of 12 children, has distanced herself from
her past and her large Irish family by becoming a solidly suburban,
middle-class wife and mother of two. Her carefully constructed shield
comes crashing down when her favorite brother, Liam, an alcoholic,
commits suicide. She begins to feel detached from her life, and while
her long-suffering husband sleeps alone in their bed, Veronica stays up
at night, driving and writing. As she explores her memories, she starts
to piece together Liam's past--their shared past--in order to
understand her brother's dissolute life and untimely death, which
she attributes to one fateful childhood summer.
Black Cat/Grove. 272 pages. $14. ISBN: 0802170390
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Guardian (UK) EXCELLENT
"It's a joy to be with a book that combines the exalted
and the profane so handily, that crafts compulsive disclosure until it
can dart from tenderness to anger, to dry humour, to the anguish that
drums through the narrative. Like many good protagonists, Veronica
notices things, maybe notices too much: makes pictures helplessly as she
stops sleeping with her husband, fails to love her daughters and her
mother as she should, resents her family and grieves for her
unforgivable brother." AL KENEDY
Independent (UK) EXCELLENT
"The Gathering has moments of swagger or splurge. But its
impact is extraordinary, full of its author's inimitable
aplomb." PATRICIA CRAIG
Los Angeles Times EXCELLENT
"Enright has written a wonderfully elegant and unsparing novel
that takes the old Irish subjects of family dysfunction and the vagaries
of memory into territory made fresh by an objectivity so precise it
seems almost loving in its care. ... One of Enright's great
strengths is her ability to take the conventions, stage settings and
stock characters of Irish fiction and dip them in the acid of a
sensibility utterly immune to piety or cant, religious or
cultural." TIM RUTTEN
NY Times Book Review EXCELLENT
"In this mystery of past causes, the transformative power of
Enright's language keeps the story's freight from burdening
the reader. Veronica's reminiscences have an incantatory power that
makes them not depressing but enthralling--as evocative and unanswerable
as the laments of the woman 'wailing for her demon-lover' in
'Kubla Khan,' except that Veronica wails for her
demon-brother." Liesl Schilinger
San Francisco Chronicle EXCELLENT
"For some, The Gathering may seem too grim a thing to tackle,
while others may find its structure too loose. To which I would say
merely this: Read, and keep reading, and see if you find something
startling, or heartbreaking, or perfectly true and wonderfully
insightful, revealing itself on the next page." STEPHEN DELANEY
Washington Post EXCELLENT
"Enright's purpose is also to add a chapter to the moral
history of her country. ... Everything that happens and does not happen
here feels painfully and awkwardly true, even the notes of
redemption." PETER BEHRENS
Toronto Globe and Mail
GOOD
"I understood the necessary emotional flatness Hegarty
demonstrates, but what's more challenging to resolve in
Enright's work is the clever detachment that pervades it, shoves
you away from her characters and keeps you tethered outside the gate.
... Thus, I found myself simmering lovingly over sentences, wondering if
certain descriptions would ever be this funny or well rendered again,
but had little interest in learning anything further about Veronica
Hegarty." ANAKANA SCHOFIELD
CRITICAL SUMMARY
The Gathering, Irish author Anne Enright's fourth novel,
displays the author's exceptional skill at exposing dysfunctional
family dynamics and the hollow pretense of middle-class life in newly
affluent, postmodern Ireland. Her light, elegant prose and rich portrait
of the Hegartys--of Veronica, in particular--won praise from the
critics. While recognizing that some readers may find the story lacking
in plot, they applauded the depth and intensity of this "slow
deconstruction of memory and self" (Los Angeles Times). Bleak and
unsentimental, Veronica's interior dialogues are nevertheless
lyrical and clever. Though at times Enright may strain to encompass too
much of the Irish experience, critics generally agreed that this dark,
evocative novel was a worthy recipient of the 2007 Man Booker Prize.
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NOTE: All illustrations and photos have been removed from this article.