Similar trends are present in other rural regions around the world.
For example, The American Farmland Trust was established in 1980 as a
nationwide non-profit organization dedicated to farmland protection and
sustainable agriculture, through maintaining rural lifestyles and
landscapes, and especially the family farm (American Farmland Trust
2006). Another major initiative, launched by Heritage Canada in the
1980s, was a program developed to help rural areas hard hit by a
weakened economy and population migration by finding new ways to
regenerate communities. The approach--called Heritage Regions (Le Blanc
1991, Heritage Canada 1995)--was based on motivating and helping
existing bodies integrate their various initiatives, linking education,
conservation and entrepreneurship, and using natural and cultural
resources.
In England, English Heritage drafted a Rural White Paper
highlighting the strong contribution made by historic buildings,
landscapes and monuments to the quality of people's surroundings,
their sense of identity and to the health of England's tourism
industry. It also highlighted contributions to the balanced and
sustainable regeneration of the countryside through the re-use of
cultural heritage (DEFRA 2000). Likewise, The Australian Heritage
Commission has been very active in cooperating with local communities,
landowners, and natural and cultural resource managers. The Commission
(2000) has produced an award-winning guide--Protecting Local Heritage
Places, a Guide for Communities--to assist communities around Australia
to re-assess their heritage in the context of community needs and
aspirations, including developing heritage business opportunities. A
number of initiatives around Australia in recent years have brought
heritage and tourism together in creative community and business
ventures (King 1999).
Developing countries
It is noteworthy that heritage-based development initiatives are
planned and implemented in developing countries and countries in
transition as well. In some cases, these are self-initiated, in others,
they are stimulated from outside. An illustrative example is the Shaxi
Valley Rehabilitation Project in China. China has 70% of its population
living in rural and mountainous areas where poverty and economic
underdevelopment are widespread. Shaxi valley, located in the foothills
of the Himalaya, is known as one of the last strongholds of the Bai
minority and is famous for its historic market square of Shaxi listed as
a World Heritage Site.
The recently started Shaxi Rehabilitation and Development project
has focused on achieving sustainable endogenous development of the rural
community by generating a framework for ecological, economic and social
issues to balance development and heritage conservation in the long run.
Rural tourism is not considered the sole vehicle for revitalization of
the valley, but only one of four basic pillars--which include a
well-maintained structural environment, improved infrastructure and
economic diversification. A comprehensive plan, including zoning,
transportation, sustainable basic infrastructure, tourism development,
historic heritage protection, development and investment was produced by
regional authorities in cooperation with the Swiss Federal Institute for
Environmental Science and Technology (Feiner et al. 2002). The
implementation strategy includes six different modules: Marketplace
Restoration, Historic Village Preservation, Sustainable Valley
Development, Ecological Sanitation, Poverty Alleviation and
Dissemination, and is intended to become a guiding model for wide-scale
conservation and development throughout the region.
In this vein, equally worth mentioning are the increasing number of
initiatives in the sphere of development assistance in developing
countries, which focus on the resource value of heritage. The World Bank
has been progressively drawing attention to the fact that culture and
heritage can contribute directly to core development objectives in
several important ways:
* Providing new opportunities for poor communities to grow out of
poverty by generating incomes from their own cultural knowledge and
production;
* Catalyzing local-level development through the diverse social,
cultural, economic, and physical resources that communities have to work
with;
* Conserving and generating revenues from existing cultural assets
by reviving city centres, conserving socially significant natural
assets, and generating sustainable, significant tourism revenues;
* Strengthening social capital--in particular, to provide a basis
on which poor, marginalized groups can pursue activities that enhance
their self-respect and efficacy and to strengthen respect for diversity
and social inclusion so that such groups can have a share in the
benefits of economic development; and
* Diversifying strategies of human development and capacity
building for knowledge-based dynamic societies--for example, through
support for local publishing, library services, and museum services,
especially those serving marginalized communities and children (World
Bank 1998: 15).
In its strategy paper on cultural heritage and development for the
countries of the Middle East and North Africa, The World Bank in
cooperation with UNESCO, outlined a new development paradigm--one that
places economic development within its social context. On the basis of
this new paradigm the future of the region is seen as greatly depending
on the region's unique history, culture and the cultivation of a
strong identity rooted in this uniqueness but open to the rest of the
world (Cernea 2001: 4). To implement this orientation, a pioneering set
of investment projects in the cultural heritage sectors has already been
developed in Jordan, Lebanon, Morocco, Tunisia and many other areas.
Important economic and social impacts are anticipated.
Positive impacts are becoming visible in some places, as in the
Rehabilitation and Revitalization Project of the historic city of Fez in
Morocco, where the preservation of the historic urban areas proved
intricately linked to the problems of achieving sustainability in all
societal, cultural, economic and environmental terms. Despite being on
UNESCO's World Heritage list, Fez--like most historic centres in
the developing world and due to a complex of reasons--has suffered
progressive erosion of its urban quality of life and has a high
concentration of poverty and substandard living conditions. Hence, it
was increasingly diagnosed as being in crisis. Under a comprehensive
definition of cultural heritage as the historically built environment,
encompassing the housing stock and the social structures which support
it (World Bank 1997), the rehabilitation and revitalization
project's primary objective was conservation and rehabilitation of
the medina by empowering its population and institutions and by raising
national and international awareness of its cultural value. Thus,
cultural heritage became the focus for the total rehabilitation strategy
and efforts to evaluate it in a most appropriate way proved to be of key
importance for the whole project.
In order to reverse the cycle of deterioration and loss, a total
understanding of the urban dynamics of the historic setting and a
balance between historicism and livability were required. In Fez, that
was judged to be particularly complex (Erbach 1997); however, without a
broadly based holistic approach and the active participation of private
sector and local community groups, preservation goals and the aim of
adaptive reuse of historic buildings could never be achieved. A major
consideration was that without the people living in the core area of the
city, its special and historic character would deteriorate at an even
higher rate (Erbach 1997). Several effective solutions were proposed. In
addition to reducing population pressure and improving building
maintenance, one interesting proposal was to encourage the use of
traditional building materials and skills as part of ordinary
construction practice, which was becoming more and more expensive and
difficult to obtain. In Fez, this involves the use of Moroccan zellij-
or pieces of ceramic tile--for elaborate floor and wall mosaics. Several
dozen pieces of tiles, shaped by hand, are combined in different ways to
create various designs. In the opinion of professionals, the art of
zellij is in danger of disappearing unless new technologies in the
production of basic ceramic materials are introduced to keep this unique
decoration affordable. This was anticipated as an attractive business
opportunity for small-scale local industries that could thus be made
sustainable with some financial or technical assistance (Erbach 1997).
Concluding remarks
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