Online journalism is not rocket science; it just takes
practice: NCEW University gives pointers.
by Radmacher, Dan
The 2007 version of NCEW-U, the pre-convention warmup, featured a
crash course in shooting video and producing multimedia editorials,
followed by a far-ranging panel discussion of other online
possibilities.
Rick Musser, director of the University of Kansas' multimedia
newsroom, went over the basics of shooting video. The most important?
Take off the lens cap.
Musser discussed common video cliches. These included shooting
pictures of signs to establish location, shots of people walking, shots
of buildings, shots of people walking into buildings and, finally, the
dreaded BOPSA: shots of a Bunch of People Sitting Around.
As writers, Musser said, newspaper journalists "have spent a
lifetime making words do the work." Their common approach is to use
video to illustrate the text, rather than learning how to let the video
tell the story.
[ILLUSTRATION OMITTED]
Editorial writers face an even more difficult task, because
traditional editorial topics don't necessarily lend themselves to
visuals. Musser's recommendation: "Don't shoot a city
council meeting; shoot the problem they are debating. Let the images do
the talking." Musser acknowledged that could be easier said than
done.
Musser discussed ways to eliminate most bad video. Avoid
backlighting, unless you are intentionally going for a "witness
protection video" effect. Avoid jump cuts: jarring breaks in
continuity of action.
Eddie Roth, editorial writer and columnist the Dayton Daily News in
Ohio, discussed strategies he uses in putting together video editorials.
He started with a fashion demonstration: a camera hanging from his neck,
a bag of accessories belted around his waist, and a video camera in one
hand.
"You just have to get used to the fact that you will look like
a goofball doing this" Roth said.
The idea is to get a basket full of stuff--still photos, video,
audio--that can be put together like a jigsaw puzzle.
Three notions should guide you as you gather material: the need to
orient viewers and show them where you're taking them, the desire
to take your audience places they haven't been, and the knowledge
that people make the most powerful images.
Beyond that, just make sure you get plenty of material, and worry
later about how you'll use it.
The boot camp ended with a wide-ranging discussion by Larry
Reisman, editorial page editor of the Scripps Treasure Coast Newspapers
in Florida; David Mastio, founder of Blognetnews; and Pete Wasson,
opinion editor of the Wausau Daily Herald in Wisconsin. All three are
pushing the online envelope in different ways.
Dan Radmacher is editorial page editor at The Roanoke Times in
Virginia. Email: dan.radmacher@roanoke.com
COPYRIGHT 2007 National Conference of Editorial
Writers Reproduced with permission of the copyright holder. Further reproduction or distribution is prohibited without permission.
Copyright 2007, Gale Group. All rights
reserved. Gale Group is a Thomson Corporation Company.
NOTE: All illustrations and photos have been removed from this article.