Luncheon of the Boating Party.
by Vreeland, Susan
EXCELLENT
The origins of a masterpiece.
Pierre-Auguste Renoir, father of Impressionism, falls from a
motorbike in the French countryside. Burned by critics favoring the
ascendant Realist style in art, weary from his complicated love affairs,
and all but broke, he stumbles, arm injured, into a nearby restaurant.
There he begins to conceive one of the most famous paintings in art--of
a dozen or so characters enjoying a lazy Sunday meal along the Seine. In
this already best-selling historical novel, Vreeland combines meticulous
research--featuring details of and cameos by other period stars like
Emile Zola, Edgar Degas, Mary Cassatt, and Paul Cezanne--with her own
dramatization of the obsessions leading up to Renoir's 1880
masterpiece.
Viking. 434 pages. $25.95. ISBN: 0670038547
[ILLUSTRATION OMITTED]
San Diego Union-Tribune CLASSIC
"Vreeland, like a god, breathes breath into the long dead
PierreAuguste Renoir ... Like the painters Vreeland writes about, she
too is leaving her legacy--some of the world's finest examples of
historical fiction." LINDA BUSBY PARKER
Boston Globe EXCELLENT
"As she slowly reveals the personalities and the relationships
among Renoir's eclectic cast of characters, one can't help but
try to discern those subtleties in the art itself. The painting
literally comes alive, and that, one assumes, was exactly
Vreeland's intent." KAREN CAMPBELL
Seattle Times EXCELLENT
"Vreeland's prose dialogue occasionally suffers from the
historical novelist's propensity for inserting crucial information
about actual events within the characters' dialogue, creating a
strained, self-conscious oratory. Still, it's a small price to pay
for the riches enjoyed in Luncheon of the Boating Party." SKYE
MOODY
Denver Post EXCELLENT
"We are shown two months in the lives of this impressionist.
[Vreeland] ... does an amazing job of getting inside the head of a
painter." DIANE HARTMAN
Washington Post FAIR
"[This novel] is as unconvincing as the study that an art
student might make of the masterpiece. The colors and figures and
perspective are creditably executed, but without the animating genius of
the original creator, it all lies flat on the canvas." RACHEL
HARTIGAN SHEA
CRITICAL SUMMARY
Author of the previous hit Girl in Hyacinth Blue, Susan Vreeland
comes through with another compelling historical novel centered on
artists and their work. Critics agree that the concept (tracing
Renoir's steps back from this joyous painting) and the research
(combining facts not only about Renoir's inner circle but also
details about French cafe society, culture, and painting techniques)
demonstrate considerable skill and dedication. The Seattle Times even
calls Luncheon "this summer's most satisfying historical
novel." Others find that Vreeland gets too bogged down in
historical detail, which slows the plot and sometimes creates a strained
narrative. Despite this perhaps overabundance of historical material,
Luncheon succeeds as a portrait of both a man and an era.
COPYRIGHT 2007 Bookmarks Publishing
LLC Reproduced with permission of the copyright holder. Further reproduction or distribution is prohibited without permission.
Copyright 2007, Gale Group. All rights
reserved. Gale Group is a Thomson Corporation Company.
NOTE: All illustrations and photos have been removed from this article.