Film of a papal message was still unprecedented for American
television, and many people viewed the Easter celebration footage.
According to a memo from News Director William McAndrew (1952) the Camel
News Caravan had become "the hottest news show in network
television," (p. 1) with a rating of 28.9 on Tuesday nights (its
average for the week was 23.6). The closest competitor was CBS's
evening news program with Douglas Edwards, and it reached an average of
only 10.5% of homes.
But Taylor's letter to the Jones correspondents had bad news.
For some time that winter the news division had known that the network
was worried about costs. Even as Taylor (1952a; 1952b) and news managers
McCall, McAndrew, Schneider, and others became concerned about the
adequacy of news coverage abroad, there was pressure to rein in spending
in many production areas. Based on this "economic context,"
Taylor (1952f, p.1) regretfully informed the correspondents by letter
that they would be returning to the States sooner than they had
anticipated. The request had come from Pat Weaver, who was feeling his
own pressure to save money, pressure that would not subside for some
time (Taylor, 1952g, n.d.; also see Karnick, 1988). Ironically, within a
week of sending the Joneses this bad news, Taylor (1952d) sent them the
telegram congratulating them on their successful trip to Turkey.
Although they recognized themselves as relatively minor players at NBC,
the correspondents felt their work was appreciated back in New York.
Throughout their assignment, however, Eugene Jones remembered receiving
correspondence only from Taylor (E. Jones OHI, n.d.).
Moving On
By May 1952, the team was back home seeking new assignments. Since
1952 was an election year, Charles and Eugene pitched a preconvention
idea for interviewing candidates with their wives in their homes (C.
Jones & Jones, 1952b).
Later that year the brothers received word that they were among 70
other winners of the National Headliners' Club's annual
journalistic awards (Cunningham, 1952). They also were winners of the
U.S. Camera Medallion and the Freedoms Foundation Honor Award, all
firsts for television journalists. But since Natalie returned to a work
environment bound by nepotism rules, she resumed working as a publicist.
Through the 1950s Eugene produced more projects for NBC, and
Natalie regularly accompanied him on overseas assignments, working as
his associate (N. Jones OHI, 2005). Often she conducted interviews as
Eugene filmed, although the responsibility of narrating remained with
him or the news producers back at NBC. Eugene and Charles eventually
produced and directed for several NBC programs, including Wide Wide
World and Today, as well as documentaries. After convincing NBC in 1954
to send him to French Indochina to do his own hour-long documentary,
Eugene found it hard to leave Natalie behind, even though the work was
dangerous. Two years later he returned to Southeast Asia as an associate
producer of NBC's Special Events Department. This time Natalie
accompanied him, and interviewed South Vietnam's president (Long,
1956), Thailand's prime minister (Prabha, 1956), and Burma's
prime minister (E. Jones, 1956). The United States had been providing
substantial economic and military aid to help each country quell
communist and other insurgencies.
In 1957, Eugene and Natalie traveled to Europe again as well as
Morocco to cover American defense missions (including the first film of
a Strategic Air Command base outside the United States) for NBC news
(Frederick, 1957; NBC, n.d.). Into the 1960s the couple continued to
produce filmed reports for Today, Wide Wide World, and The World of ...
documentary series for NBC. Photographs bear out Natalie's regular
role as interviewer on many of the assignments (E. Jones, 1957; Overseas
Press Club of America, 1961a, 1961b, 1962).
After multiple working trips to South Vietnam, Eugene felt that NBC
had become too pro-government and supportive of American involvement in
South Vietnam. Consequently, after determining that NBC would not allow
him to produce a documentary critical of America's role in the war
in Vietnam, Eugene and Natalie formed their own company (E. Jones OHI,
n.d.). She coproduced several films to help them raise funds for A Face
of War, a documentary on Vietnam, which they produced in 1966. Another
documentary film coproduced by the couple, The Wild and the Brave, was
nominated for an Academy Award in 1974.
Discussion and Conclusion
Natalie Jones's contribution to early network television news
coverage is mixed but intriguing. She could not be considered a
correspondent as others, like Pauline Frederick, who followed. Although
she did conduct interviews for NBC, in 1952 John Cameron Swayze and
David Brinkley handled the reporting and narrating duties for Camel News
Caravan (Brinkley, 1995, pp. 85-88) while Presidential aide John
Steelman wrote the scripts and hosted Battle Report (Bernhard, 1999, pp.
122-123). In this regard she bypassed the criticism leveled by critics
of female voices on radio and television at the time. Instead, Natalie
shared camera and audio tasks, both preparing and operating the
equipment. Eventually many network news crews included at least three
persons. And, as noted, Natalie interviewed many of the news subjects
for the stories. While there is evidence some individuals resented her
presence, the grounds may have been race as much as gender. Ultimately,
Natalie remembered few instances of hostility toward her.
Natalie Jones's entry into television news depended on her
husband's persuasive skills. She became a network television
journalist because Eugene convinced NBC management he needed her to
accompany him and his brother on an assignment to Europe in 1952. Her
initial association with the network was that of a publicist and
go-between to help the network promote its twin photojournalists.
Nepotism rules and broadcast industry management aversion to the female
voice constitute two primary obstacles to her employment at NBC News.
Testimony from female pioneers in broadcast news suggests the
barriers to reporting and announcing in the postwar years of
television's infancy were high (see Marzolf, 1977; Hosley &
Yamada, 1987). The few that found success migrated to broadcasting from
other disciplines, and usually found their way into news later in life.
This case study of a woman utilizing other journalistic skills and tools
illustrates another way for women to succeed in the early days of
television. Examination of Natalie Jones's journalistic work
beginning in Europe in 1952 and continuing indicates newsmakers were
often amenable and attentive to a female interviewer. She demonstrated
that a woman could handle the physical demands and adversity common
among journalists working in hostile environments (albeit as part of a
team). Although many women eventually became producers and
correspondents, the occupation of news photographer and audio engineer
remained a man's responsibility for many years (see Lindekugel,
1994, p. 59). Future researchers may want to examine the progress of
women in broadcast journalism's other duties. Another research
prospect is the history of nepotism in the broadcast ranks, its
corollary with other professions, and its effects on news gathering.
Even though parity was afforded Natalie Jones at her husband's
insistence, a few news executives at NBC made it a reality. During her
initial tenure at NBC, nepotism rules remained. But she soon returned as
co-producer and worked with Eugene on many international assignments for
NBC. Her contributions to the early days of network television news
deserve recognition as another pioneer who proved she could do the job.
References
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papers. University of Wisconsin-Madison. Hereafter referred to as NBC
papers.
Allen, G. (1951, March 20). Correspondence from American Ambassador
George Allen to Charles Jackson (White House aide) (Box 309). NBC
papers.
Bernhard, N. E. (1999). U.S. television news and Cold War
propaganda, 1947-1960. New York: Cambridge University Press.
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Brinkley, D. (1995). David Brinkley: A memoir. New York: Ballantine
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papers.
Frank, R. (1991). Out of thin air. New York: Simon and Schuster.
Frederick, W. (1957, December 26). Travel authorization from Major
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