FICTION
****
L.A. Outlaws
By T. Jefferson Parker
The female Robin Hood.
Suzanne Jones, an eighth-grade teacher and mother of three,
transforms into Allison Murrieta at night. At dark, the masked Allison,
who claims to be a descendant of California bandit Joaquin Murrieta,
clamors for media attention as she steals from the rich to give to the
poor. Her outlaw life progresses smoothly until she witnesses the bloody
after-math of a half-million-dollar diamond heist from a criminal named
Bull, which leaves 10 gangsters dead. When L.A. Deputy Charlie Hood
stops Suzanne/Allison as a key witness, sparks fly. Shortly into their
affair, however, Hood starts to suspect that Suzanne and Allison may be
one and the same. Besides, Bull wants his goods back--and his sidekick
Lupercio is soon on her trail.
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Dutton. 372 pages. $25.95. ISBN: 0525950559
Los Angeles Times ****
"Parker writes with an understanding of the West's
essential character: In Outlaws, he casts Los Angeles as an eternally
sprawling, brawling camp town, populated by bandits and bigots, the
quick and the dead, where the poor who once rendered tallow now work the
deep fryer at KFc. ... His concise prose, at once low-key and lyrical,
plays almost like cowboy poetry." WIll BEAll
Orlando Sentinel ****
"[A] novel filled with energy, adventure, corruption and
suspense. ... Parker, who is never sparing when it comes to violence,
packs L.A. Outlaws with excitement and flashes of sexual tension as Hood
becomes caught up in suzanne's life, fighting the urge to fall in
love with her while suspecting that she might be the armed robber all
L.A. is talking about." ANN HEllMUTH
Seattle Times ****
"L.A. Outlaws may be my favorite of T. Jefferson Parker's
thrillers, and that's saying something about this gifted writer.
... The result--think of Elmore Leonard's Out of Sight with a
gender twist--is totally compulsive reading." ADAM WOOG
Wall Street Journal ****
"While Suzanne drives the action, Officer Hood is the
novel's moral center. ... There is more to L.A. Outlaws than
thrills." TOM NOLAN
Washington Post ****
"[L.A. Outlaws] could be his breakthrough. All his skills are
on display here: vivid writing, strong characters, clockwork plotting,
agonizing suspense and, finally, an ending that manages to be just
right." PATRICK ANDERSON
CRITICAL SUMMARY
With his 15th novel (after California Girl **** Jan/Feb 2005, and
The Fallen **** May/June 2006), critics agree that Edgar winner T.
Jefferson Parker has written his best book yet. A noir thriller, L.A.
Outlaw delighted critics with its fast-placed, suspenseful plot and
compelling characters--a powerful heroine mirrored after Robin Hood,
Zorro, and Joaquin Murrieta; a policeman haunted by his ethics and his
Iraq tour of duty; and a killer scarred by his past in El Salvador. The
plot is anything but hackneyed; the romance never dull. Not only a great
choice for crime fans, L.A. Outlaws, with its deep, intelligent
characterization, "is popular entertainment at its most
delicious" (Washington Post).
****
The Appeal
By John Grisham
A timely tale of judicial corruption.
Bowmore, Mississippi, is a small town plagued by an extraordinary
number of cancer deaths. When a mom-and-pop law firm led by Wes and Mary
Grace Payton wins a $41 million settlement against New York--based Krane
Chemical, which has spent decades poisoning Bowmore's water supply
with carcinogenic chemicals, Krane's corrupt CEO, Carl Trudeau,
pledges to do whatever it takes to ensure that Krane wins the case on
appeal. Because Mississippi Supreme Court justices are elected rather
than appointed, Trudeau and his equally shady cohorts embark on a
mudslinging, character-assassinating campaign to replace moderate judge
Sheila McCarthy with their own highly sympathetic candidate.
[ILLUSTRATION OMITTED]
Doubleday. 368 pages. $27.95. ISBN: 0385515049
Boston Globe *****
"[The Appeal is] a novel that could become its own
era-defining classic. ... [Grisham's] panoramic story is a legal
thriller, but its mammoth ambition and unflinching moral outlook enable
The Appeal to transcend the genre." CHUCK LEDDY
Pittsburg Post-Gazette ****
"As usual, Grisham never delves deeply into his characters.
But by rolling some of his interests--the law, the court system, his
home state of Mississippi, even baseball--all together, Grisham has
written his best legal thriller since 2003's The King of
Torts." BARBARA VANCHERI
New York Times ****
"Building a remarkable degree of suspense into the all too
familiar ploys described here, Mr. Grisham delivers his savviest book in
years. ... What works for Mr. Grisham is his patient, lawyerly,
inexorable way of dramatizing urgent moral issues." JANET MASlIN
Washington Post ****
"Despite cardboard characters and broad sweeps of malevolent
action from Big Business, an affecting moral comes through in The
Appeal. It reads like a long, engaging and sad fable." BETHANNE
PATRICK
Los Angeles Times ***
"It's a fascinating narrative, filled with deadly
accurate characterizations by an author who knows both the law and
politics from the inside. The problem, as with all Grisham's
fiction, is that it's egregiously written." TIM RUTTEN
Oregonian **
"[A] cartoon filled with one-dimensional characters,
predictable language and nary a plot twist. ... The Appeal is derivative
of Silkwood, Erin Brockovich and any number of stories about plucky
idealists and soulless corporations, but it isn't as interesting as
any of them, perhaps because it doesn't pretend to be anything but
fiction." MIKE FRANCIS
CRITICAL SUMMARY
John Grisham was reportedly the best-selling author of the 1990s,
and The Appeal, his 20th novel, will likely be yet another massive
commercial success. Unlike some of his previous legal thrillers,
however, this work has managed to garner an impressive amount of
critical respect as well. Although a few reviewers found Grisham's
characters one dimensional, his plot hackneyed, and his writing poor,
most saw much to admire in the author's convincing and scathing
portrayal of judicial corruption. As the Los Angeles Times opined,
"[I]n this presidential election year, [The Appeal is] a far more
blunt, accurate and plain-spoken indictment of our contemporary
political system's real failings than you're likely to find
anywhere on the nonfiction lists." The verdict: it's
informative and compelling, but it's still Grisham.
****
The Chameleon's Shadow
By Minette Walters
The personal toll of war.
While serving in Iraq, British Lieutenant Charles Acland's
convoy is destroyed by a homemade rebel bomb. Acland, the only survivor
of the attack, wakes up in a military hospital severely disfigured and
unable to remember his tour of duty or the weeks preceding it. After his
release, he heads for London's streets, now a paranoid, aggressive
drifter abandoned by society. He finds refuge and understanding in a
rooming house run by a female bodybuilder, Dr. Jackson, and her lover
Daisy and starts to take his first small steps back toward humanity.
Then a drunken brawl makes him the prime suspect in the South London
murders of several gay men.
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Knopf. 384 pages. $24.95. ISBN: 0307264637
Daily Mirror (UK) ****
"What marks Minette Walters out from the rest is not just the
complex yet utterly convincing psychological profiles she draws of her
characters, but the fact that she really gets into the heads of some
pretty disturbing people. ... The Chameleon's Shadow is another
classic which--as is the way with Walters--begins slowly and ends in a
panic." HENRY SUTTON
Independent (UK) ****
"Her unwillingness to use the easy explanations of criminality
so common in crime fiction, and her determination to delve deep into
Jungian questions, give the book the layers of depth that we expect of
the 'literary' novel. ... The thriller element of the book is
a strong narrative of investigation divided between forensic and medical
viewpoints, but it hangs on the creation of two compelling people: the
bewildered and angry army officer, and the determined, quick-minded Dr.
Jackson." JANE JAKEMAN
No Times-Picayune ****
"The layers of psychopathology and the effects of
war--international and domestic--unfold with Walters' usual insight
and empathy." DIANA PINCKlEY
Columbus dispatch ****
"The ending is pat and not quite in keeping with the rest of
the novel, although it doesn't take a twist extreme enough to spoil
the earlier chapters. Walters seems torn between two impulses: the
desire to venture into uncertainty about the psychological makeup of her
characters; and the urge, built into the structure of mystery fiction,
to pin them down." MARGARET QUAMME
Sunday Telegraph (UK) ****
"The final revelations stretch credibility, but neatly round
off another intelligent, smoothly plotted novel from one of our most
interesting crime writers." SUSANNA YAGER
NY Times Book Review ***
"Unhappily, the story's sensationalism undermines this
character study, while the procedural format, with its routine police
work and inept cops, only distracts from the deeper issues this
psychological thriller raises." MARIlYN STASIO
CRITICAL SUMMARY
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LLC Reproduced with permission of the copyright holder. Further reproduction or distribution is prohibited without permission.
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NOTE: All illustrations and photos have been removed from this article.