The Plentitude: Creativity, Innovation, and Making Stuff, by Rich
Gold/MIT Press/111 pp./$22.00 (hb)
[ILLUSTRATION OMITTED]
I am the typical twenty-first century version of a Renaissance
person: I like a little bit of a lot of things in this culture of Flash
websites, 10-second changing billboards, and the information overload we
all talk about. The title of the book grabbed me right away, and I
quickly identified with the author, Rich Gold, who is described in the
book's press release as "a pure hybridized thinker in a world
where monospecialties are the norm."
I thought this book would tell me to quit making art and go work in
the rainforests. It didn't. A posthumous compilation of lectures,
sketches, and notes, written in a conversational tone, it bordered on
annoying to read. However, after I had finished the book, I realized the
value and rarity of this tone and that it was conducive to higher
comprehension and retention of information than usual.
This book answers the age-old artist's question of "Why
make anything if everything has been done?" and the more current,
"Why bring any more junk into the world?" Gold relates the
artist's role to the rest of society and strengthens the cause for
creativity and artmaking. His humor and logic raise valid points about
the "Big Picture," which may bring answers to the smaller
pictures we live in.
ILANA SWERDLIN is a mixed-media artist and an instructor at
Medaille College in Buffalo, New York.
COPYRIGHT 2008 Visual Studies
Workshop Reproduced with permission of the copyright holder. Further reproduction or distribution is prohibited without permission.
Copyright 2008 Gale, Cengage Learning. All rights
reserved. Gale Group is a Thomson Corporation Company.
NOTE: All illustrations and photos have been removed from this article.